Samui Blues

Anyone who has ever listened to the “Blues” knows that it is more than just music, but an inspiration, an unfolding of the emotions that we all feel. From Muddy Waters, John Lee Hooker, Willie Dixon and many other influential Blues legends, to the more contemporary Blues artists such as Robert Cray, Eric Clapton and Stevie Ray Vaughan, Blues music has and always be a part of out musical heritage.
Capturing the essence and spirit that the Blues represent is a novel “Blues Musical” called “The Tear Jar.” Not focusing on a particular band or individual, the “Tear Jar” instead is a collaboration and meeting of the minds of many talented people including producer Chris Bravacos, song writer Robert Welch, audio engineer Frank Silver and writer Jerry King Musser.

Blended into the musical are the rare talents of musicians such as: industry veteran Diane Wilson (singing the character of Savannah), talented Bluesman Don Johnson (singing the character of Mason Ball), Blues guitar virtuoso Jared James Nichols (singing the character of JD Hunter), Jazz sensation Rose Hudson (singing the part of Chandra), veteran Gospel singer Eugene Barclift (playing the character of Stubs) and Soul Music vet Charles Lee (as the Preacher), among others.

To set up the story, one needs to know what a ‘tear jar’ is and what it represents. In ancient cultures, water was a prized possession and giving up water from one’s own body, in the form of tears, was considered a personal sacrifice. They would catch their precious tears in tiny pitchers or ‘tear jars.” The ‘saved’ tears could then be used to ward off evil or to help a sick child. The writer takes this belief and implements into the storyline and applies it to the infectious Blues songs that encompass and define the musical. Here is a brief synopsis of the story:

“Seasoned, itinerant blues man, Mason Ball, returns to The Blue Rose, a club in which he enjoys playing, with an owner he deeply ‘admires.’ Upon his arrival, he’s surprised to discover that a ‘new kid in town’ has claimed the stage and attention of an appreciative audience. This young upstart, one JD Hunter, is unwilling to relinquish the limelight and makes it clear that the ‘old blues’ is dead. To add to the tension, Mason’s private love interest shares with him a serious, personal loss. Frustrated with his inability to appease her emotional pain, Mason dips his finger into a jar of tears given him by his recently departed mother and touches her with the potion. This act, apparently, manifests in wondrous results… relieving her of her anguish. Mason doubts his healing powers, yet can’t dismiss the changes he seems to have made. When word gets out, the audience demands Mason’s appearance onstage and seem to come for his ‘gift of healing’ as much as his gift of song. JD challenges Mason’s abilities, those both spiritual and musical. When a plan to expose Mason backfires, JD Hunter learns what it’s like to be on the receiving end of ‘the gift.’ But, gift or not, the characters in this story find themselves at a new place in their lives after discovering life’s potential magic is available to anyone.”

I have not seen the production, but have listened to some of the music and was overjoyed to hear a dizzying array of crisp, fresh Blues cuts that are certain to be standards and will have die-hard Blues fans clamoring for more.

“When Does The Healing Begin” is full of Gospel-fueled licks and superb vocals that fuses the Blues and Gospel in an explosion of sound. The cut called “The Magic,” like any great Blues song, just bleeds emotion, from the growling vocals and the Stevie Ray Vaughan-like riffs, yet it still remains achingly tender. “Satisfier” is expertly played and sang, with sultry vocals and is sung with immeasurable passion and strength. “I’m Gone,” is bound to become a classic blues rocker, tight and structured, and just compels you to bob your head or tap your foot with melodic adventure. “Stormbringer” perfectly fuses Soul and Blues music, with impassioned vocals and stellar guitar and organ work.

“The Tear Jar” is bound to become an instant classic Blues production, with fresh Blues music for all fans of the genre, who are sure to be pleased with the efforts of all the performers and everyone who is involved with this wondrous project. In its beginning stages, “The Tear Jar” has a performance slated for the Sunoco Performance Theater on Thursday, August 7 and Friday August 8, 2008 in Harrisburg, Pennsylvania. And with an intriguing storyline, a stellar cast and new Blues standards, it will soon make a bold impression in the music world and specifically Blues music.

In the history of the guitar blues there have been some great players and fortunately many of those great players are still with us today. Whether you prefer smooth guitar blues or whether you like to have your guitar blues smash you in the face there have been players to oblige you and to entertain you for over a century now. Here is a quick look at some guitar blues players that have made an impact.

BB King

BB King has been playing guitar blues for over 60 years and is one of the standards that people use when they talk about guitar blues players. He has recorded with such great bands as U2 and is best known for his trademark hollow body electric guitar he calls Lucille. He was originally called the Beale Street Blues Boy but before his first record came out the record company shortened it to BB and used his real last name of King to create the name BB King. In over 60 years BB King has played his smooth style of blues all over the world.

Eric Clapton

Known simply as “Slow Hand”, Eric Clapton is a self taught guitar prodigy who got his start in the famous 1960′s hard rock blues band Cream. After Cream disbanded he went on to form such acts as Derrick And The Dominoes but Clapton was always displaying his trademark slow hand smooth guitar blues style somewhere in the world. Recently Cream was reunited for a few shows and it is unknown whether or not they will stay together but even without a reunited Cream Eric Clapton has still left his mark as one of the greatest guitar blues players ever.

Robert Johnson

It is difficult to talk about guitar blues players without talking about the man that greats such as Jimi Hendrix and Muddy Waters cite as one of their prime influences. Robert Johnson was born in 1911 and died in 1938 but in between there he recorded and released at least a half dozen or more records that survive today as an example of the talent and vision that Johnson had. He lived the blues and, by some accounts, died because of the blues and Robert Johnson is the place where most blues is said to have come from.

Jimi Hendrix

For some reason Jimi Hendrix is never given his due as the master guitar blues player that he was because many people cannot see past his use of sound and energy on the electric guitar. But everything Jimi did was based in the blues and many of his more popular songs are simply blues songs done Jimi’s way and there is nothing wrong with that.

Cry guitar, cry..

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Blues legend Hubert Sumlin talks about his punishment as a child for getting into some devilment with his father. He reminisces about Howlin’ Wolf, Robert Johnson, Robert Jr. Lockwood and Charley Patton and he gives “Seventh Hour Blues” editor, Anthony Sapienza, a guitar lesson. Featuring “Smokestack Lightnin’” and “Killing Floor”. Filmed by Anthony Sapienza.

The Velvet Bulldozer!!!