Samui Blues

If you have a hankerin’ to be a blues guitar player but don’t know how to start, there is no better way than to immerse yourself in the recordings of the blues guitar players of the twentieth century. You can use the licks of famous blues guitarists as building blocks that will eventually be the fragments of your own blues guitar solos. There is wide agreement amongst blues fans about who are the greatest blues guitarists, who is the best to learn from, but once you get talking to people you will realize that each person’s reaction to the works of the blues masters is personal and unique. So your starting point to being a blues guitar player is to take your own personal take on the blues you hear and expand on it.

If you are a new guitar player you might not be familiar with the various techniques that blues guitar players use to make their guitars sing. There is no special blues “magic” that you learn from the blues legends, the guitar techniques for one style are pretty much the same as for another, but you will find your own personal way of making established guitar techniques your own.

There’s a whole world of communication in the techniques that guitar players use to play notes with the left hand instead of picking using the right hand. The techniques are called hammer-ons and pull-offs. A pull-off is the art of picking a note and taking your left hand finger away in a kind of pulling action so that the note below your original note sounds. For example, you could place you first finger on the first fret of the first string and the second finger on the second fret of the first string. With both fingers in place, you pick the first string sounding the F# note and pull your second finger away so that the F note at the first fret sounds.

The “opposite” to the pull-off is the hammer-on which, if you follow up on the pull-off you just executed, you “hammer” the second finger back to where it was at the second fret so that the F# note sounds again. Another technique for the guitar player’s left hand is String Bending. If you look at your finger placed at a fret, you move the finger by pushing up and down. This makes your guitar string give a warbling sound.

As you are an aspiring blues guitarist of the twenty-first century, you will probably prefer to listen to electric guitar players. B. B. King is the coolest of the black blues guitarists, closely followed by a white English boy named Eric Clapton. You could also give a listen to Chuck Berry who is practically a one-man guitar style.

In popular music, blues keyboard riffs are universal. From Billy Preston jamming with the Rolling Stones to Ray Charles kicking into “What I’d Say,” blues progressions and scales serve as the basis for legendary songs and amazing keyboard solos. One of the greatest aspects of blues keyboard riffs is the musical theory behind them, which is simple enough for beginners, yet still challenges virtuosos.

An important musical tool to understand when playing blues keyboard riffs is the pentatonic scale. The minor pentatonic scale is the basis for most blues solos. Its cousin, the blues scale, adds a flatted fifth in between the fourth and fifth of the minor pentatonic. The major pentatonic is also used in blues keyboard riffs.

If you’re not familiar with these scales, here are some examples. We’ll use the key of E. The minor pentatonic consists of the tones 1, b3, 4, 5 and 7. So in the key of E we would have E, G, A, B and D. To change this to the blues scale, add the flatted fifth, which is bB. This gives you the notes E, G, A, Bb, B and D. The major pentatonic consists of the 1, 2, 3, 5 and 6. In the key of E, this gives us E, F#, G#, B and C#. By learning these scales up and down the keyboard, you will have a base on which to build some awesome blues keyboard riffs.

So how do you make these scales mourn and wail like only the blues can? By knowing them inside and out, you can make musical theory sing. Running up and down scales will just make your blues keyboard riffs sound like finger exercises, but knowing how to blend major and minor pentatonic together will leave your listeners astounded. The key is to understand how blues keyboard riffs incorporate each scale over different chords.

For a basic twelve-bar blues progression, the choice of scale is open, with a few basic rules thrown in for good measure. One of the basic rules to keep in mind is that there are two easy scales to use over any one chord. If you’re playing over an E or E7 chord, you can choose to use the E minor pentatonic or the E major pentatonic. By alternating between the notes of these two scales, you’ll find a variety of notes from which to choose when playing blues keyboard riffs.

You can change any of the minor pentatonic to the blues scale for some added flavor. To do this in the major pentatonic, it may be easier to visualize the scale differently. Take the root of the chord and drop it a minor third. For example, if A is the root, then you would go down to F#. Now play a minor pentatonic in this key. You’re using the same notes as the A major pentatonic, just starting on a different root. Change it to a blues scale and you’ll have the notes F#, A, B, C, C# and E. Now you’ve got another blues scale to play over an A chord! It’s that simple, and it works for any key.

By mastering the use of these scales, you can play any blues keyboard riffs that come your way. The trick is to practice them until you no longer have to think about the notes; you just feel them under your fingertips. Then you’ll wail and mourn like only the greatest blues players can.

Played in France in 1980. It’s the same concert as “off the handle” is played Enjoy.

Blues legend Hubert Sumlin talks about his punishment as a child for getting into some devilment with his father. He reminisces about Howlin’ Wolf, Robert Johnson, Robert Jr. Lockwood and Charley Patton and he gives “Seventh Hour Blues” editor, Anthony Sapienza, a guitar lesson. Featuring “Smokestack Lightnin’” and “Killing Floor”. Filmed by Anthony Sapienza.

If you want to play Blues guitar there are many different methods to choose from, even hundreds of them. The style has many variations and is the most traditional and well-known forms of music in the world. It would be too difficult to exactly describe how to play blues so instead here are a few tips that may help along in your quest to play a very rewarding and soulful type of music on the guitar.

Play Blues Guitar Tip #1

First off, understand that you don’t have to be the best at technique or know lots of tough cords to play the blues. The best blues sound originates from the heart using your feelings about true life and real situations. Later your technique will improve and you can add more difficult chords to try different variations of the blues but at first just get across the emotions of the song and you will be a good blues player. Remember to play with feeling and the speed will later come.

Play Blues Guitar Tip #2

You have to get used to the rhythm of the blues. A pretty common style is known as a “swung ” feel. Just think of the sound of a heartbeat to guide you along for the beat. Most of the blues as well as other types of music are played in straight 4/4 timing which can be easy to play and is easy on the ear. Once you get comfortable with this style, you’ll be well on your way.

Play Blues Guitar Tip #3

Picking the notes of the blues will get you familiar with the fret board of your guitar. Learning different licks can be great for all types of music but are the heart and soul of the blues. Take the licks your comfortable with, play well, and experiment with them all over the fret board. This will give you different keys and get you used to the various positions on the neck.

Play Blues Guitar Tip #4

Another style of the blues that makes for quite a different sound is playing slide guitar. It’s not always easy to play a regular guitar and is ignored by a lot of other guitarists for this reason. It’s definitely an art form in itself and if you learn this art you will stand out from the crowd of blues players and regular guitarists.

Play Blues Guitar Tip #5

The final tip and probably the most important is to learn the blues scale inside and out. Many different kinds of music incorporate this scale and can open the door for a more rewarding experience of the blues. It’s an easy scale to learn and if you want to try solos, it’s a great scale to practice with.

These tips, while not teaching you how to play the blues will help in honing your techniques and help you find your own style of the blues. One thing is for certain they are going to help you to enjoy many hours of guitar playing.